David Phelps

David Phelps


David Phelps was born in Hereford. His mother wanted him to work in a bank but he ran away to join the Civil Service, where, under the wonderful and much missed Enterprise Allowance Scheme, he was responsible for helping many creative people, including the poet Jay Ramsey, set up their own businesses. Retiring to his native county he set out to discover its rich folklore which has inspired many of his stories. He is the author of four books (Herefordshire Folk Tales, Haunted Hereford, The Bloody History of Hereford and Worcestershire Folk Tales) all published by The History Press. More details available on my website www.davidphelpswrites.co.uk

Credentials


David Phelps in 60 seconds

When did you start writing?

1963 Hereford, Herefordshire

What do you love about Short Stories?

They have entertained us around the camp fire for thousands of years

Do you write in other forms?

Novel hidden in draw

What distracts you from writing?

Making cups of coffee

Outside of writing, what are your other passions?

Folklore, history, gardenings, walking.

What is your favourite book?

At Swim-Two-Birds by Flann O'Brien

Who are your favourite writers?

Tove Jansson, Ian McEwan and Jaroslav Hasek

Where is your dream location?

Herefordshire

What one item would you put into Room 101?

Donald Trump

Do you have any advice for new writers?

I spent thirty years secretly thinking of myself as a writer without actually doing much writing, so my advice to any writer is WRITE

ebooks by David Phelps:

The Night Study
A Danish painter is driven into exile by his father. But he can never escape the chains of the family's dark secrets. "I watched the face of the man who could destroy me and, even then, I remember thinking what a fine composition this room would make. The mighty bookcases indistinct in the darkness, the fire in the grate, illuminating the faces of the two men drinking but clearly having no care or regard for each other. I had never been good enough for my father but I could always trust my younger sister to act as a bridge between him and me. It was to her that I could show my paintings, before my father destroyed them. When my father insisted that I go into the family business, that was when I knew I had to leave. But at regular intervals I would row over the lake to see her when my father was away. When she told me he was making her marry his old business partner I wanted to go and confront him but I did not really have the courage and was too easily persuaded by my sweet sister not to do anything. On the night of the wedding I stayed on the other side of the lake, looking at my old home lit up in festivity. As the music died I rowed over to where I knew my sister would be waiting. That night we said our last farewells, for the next day she would be leaving for Copenhagen. I knew the composition we made was beautiful. Angrily I threw myself into painting, feeding on my melancholy. I tried a palette of blacks and greys but could not cope with these. Instead I painted the summer fields of my childhood, all greens and yellows and a bright blue sky. I despised my weakness. Even more so when I was taken up by the London art market, my bright daubs becoming popular with the bourgeoisie because enough influential critics liked them..."
The Night Study
David Phelps
£0.99 Added
A Danish painter is driven into exile by his father. But he can never escape the chains of the family's dark secrets. "I watched the face of the man who could destroy me and, even then, I remember thinking what a fine composition this room would make. The mighty bookcases indistinct in the darkness, the fire in the grate, illuminating the faces of the two men drinking but clearly having no care or regard for each other. I had never been good enough for my father but I could always trust my younger sister to act as a bridge between him and me. It was to her that I could show my paintings, before my father destroyed them. When my father insisted that I go into the family business, that was when I knew I had to leave. But at regular intervals I would row over the lake to see her when my father was away. When she told me he was making her marry his old business partner I wanted to go and confront him but I did not really have the courage and was too easily persuaded by my sweet sister not to do anything. On the night of the wedding I stayed on the other side of the lake, looking at my old home lit up in festivity. As the music died I rowed over to where I knew my sister would be waiting. That night we said our last farewells, for the next day she would be leaving for Copenhagen. I knew the composition we made was beautiful. Angrily I threw myself into painting, feeding on my melancholy. I tried a palette of blacks and greys but could not cope with these. Instead I painted the summer fields of my childhood, all greens and yellows and a bright blue sky. I despised my weakness. Even more so when I was taken up by the London art market, my bright daubs becoming popular with the bourgeoisie because enough influential critics liked them..."
The War Hero the Film Star and the Footman and Another Story
David Phelps
£0.99 Added
"When Frederick came home from work one day there was a strange bike leaning against the porch. He cussed; the last thing he wanted was having to be polite to visitors after a hard day in the fields. "As his eyes became accustomed to the gloom of the kitchen he found himself being stared at by a middle aged man. He was wearing a better suit than normally seen in the village and the best china was out. ""They said you were a beanpole and they didn't lie." the main said approvingly."

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