An unexpected twist in the closing frames of an old home movie sends Rose hurtling back to her childhood - a time and a place where no one else's parents were divorcing, and where stepmothers were as exotic as shop-bought cake. Revisiting her memories of glamorous part-time fathers and fortnightly treats, Rose unpicks the unspoken adult acrimony, and the childish confusion: "Each time they were returned to her with their bounty she was tight-lipped and unimpressed, flattening their ebullience to a shapeless guilt, their double bind of love and loyalty teaching them early to suppress their enthusiasm in her company." Dual Carriageway is about parents and children, and how complicated it all is.

It's only the intrepid who venture into the world of arranged romance. Amelia casts her fate to the winds of change and learns that not all migrating birds make it home safely.

“When she first arrived they said nothing to her, they just looked. An ordinary enough woman, halfway through her life perhaps … modest and respectful, but they were shocked at this female on her own… She said her village had been wiped out in a mudslide, she alone had survived… The gods favoured her, then? No, she said, just lucky.” (from Too Much Too Soon) Across twenty bite-size flash-fiction stories of no more than 500 words each, the reader can travel from Pre-Conquest Latin America to Post-Catastrophe Britain; or see inside the mind of Don Quixote’s horse and the mind of an impatient would-be suicide bomber; or meet the mythological character who delights in other people’s dilemmas and the woman who decided not to tell the world about her supernatural experiences. Perhaps you will find the answer to questions you never thought to ask: What was the real effect of The Great Plague? And how did British cities end up with such woeful transport provision? If you get annoyed when others try to tell you what to feel, you’ll sympathise with Jeffery in “Che Bello!” And if some people just leave you exhausted but you don’t understand why, you’ll sympathise with Eddie in “Is This a Law of Thermodynamics?”

Keith's obsession with naming things, and with Gerda the newspaper seller outside his office, leads him into danger.

'A brief study of bitter pride, it's a remarkable example of economical writing, painstaking in its attention to detail.' Nicholas Royle, Time Out

Memories of her disappeared little brother won't let Nadine go.

On the road, escaping from a confrontation a young man unexpectedly returns home, but when his friend retells the story, does he get it right?