Ellie works in a mortuary and lives on the premises. And then she falls in love with someone her employers consider totally unsuitable.

The closeness between her brilliant, beautiful mother and her talented, intelligent daughter re-enforces a woman's sense of her own inferiority. Add to this her lifelong horror of bats, and things go from bad to worse.

An unexpected twist in the closing frames of an old home movie sends Rose hurtling back to her childhood - a time and a place where no one else's parents were divorcing, and where stepmothers were as exotic as shop-bought cake. Revisiting her memories of glamorous part-time fathers and fortnightly treats, Rose unpicks the unspoken adult acrimony, and the childish confusion: "Each time they were returned to her with their bounty she was tight-lipped and unimpressed, flattening their ebullience to a shapeless guilt, their double bind of love and loyalty teaching them early to suppress their enthusiasm in her company." Dual Carriageway is about parents and children, and how complicated it all is.

Back in the early 1970's, three ten-year old friends go up town to cause trouble.

A man walking his dog on a stormy beach hears a cry for help. Or is it?

Some things are better left unfound. After weeks working offshore and away from his wife, a man waits to be reunited with her in a hired cottage. However, she's running late and into the void of her absence comes a feeling that something is wrong, and a persistent chill that won't just leave him be.